Hobos, Hustlers, and Backsliders: Homeless in San Francisco, Paperback

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Winner of the 2011 Robert Park Award for the Best Book in Community and Urban Sociology, American Sociological Association, 2011Co-winner of the 2011 Mary Douglas Prize for Best Book in the Sociology of Culture, American Sociological Association, 2011 When homelessness reemerged in American cities during the 1980s at levels not seen since the Great Depression, it initially provoked shock and outrage. Within a few years, however, what had been perceived as a national crisis came to be seen as a nuisance, with early sympathies for the plight of the homeless giving way to compassion fatigue and then condemnation. Debates around the problem of homelessness--often set in terms of sin, sickness, and the failure of the social system--have come to profoundly shape how homeless people survive and make sense of their plights. In Hobos, Hustlers, and Backsliders, Teresa Gowan vividly depicts the lives of homeless men in San Francisco and analyzes the influence of the homelessness industry on the streets, in the shelters, and on public policy. Gowan shows some of the diverse ways that men on the street in San Francisco struggle for survival, autonomy, and self-respect. Living for weeks at a time among homeless men--working side-by-side with them as they collected cans, bottles, and scrap metal; helping them set up camp; watching and listening as they panhandled and hawked newspapers; and accompanying them into soup kitchens, jails, welfare offices, and shelters--Gowan immersed herself in their routines, their personal stories, and their perspectives on life on the streets. She observes a wide range of survival techniques, from the illicit to the industrious, from drug dealing to dumpster diving. She also discovered that prevailing discussions about homelessness and its causes--homelessness as pathology, homelessness as moral failure, and homelessness as systemic failure--powerfully affect how homeless people see themselves and their ability to change their situation. Drawing on